Fall Winter 2026
Limited Availability
Order your Ballet Wrap via Instagram DM
Grey – Blue – Black
This first release of Cayetana d’Mar is presented through a single piece: the Ballet Wrap, crafted in 100% baby alpaca.
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The collection exists as one garment because it was born from a conviction: when a piece is fully resolved, it does not require accompaniment.
Ballet has always existed in my life as discipline before spectacle.
My mother trained professionally, and although she left the stage, she never left the practice.
Throughout my childhood, ballet was not performance, it was repetition, posture, control, return.
I grew up observing that elegance is constructed quietly, through commitment to form.
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The Ballet Wrap translates that inheritance into a contemporary silhouette. It does not imitate costume; it distills structure. Its wrap construction allows for natural adaptability in both size and styling, encouraging repetition rather than replacement. It moves with the body without surrendering proportion.
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Beginning with a single silhouette was an act of restraint.
A commitment to conscious editing. To creating less, but with greater precision.
The Ballet Wrap does not respond to market urgency, but to the rhythm of lived experience.
It is not designed for immediate impact, but for permanence.
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The choice of 100% baby alpaca reinforces this philosophy: thermal lightness, structural softness, and durability as ethics.
The result is an essential foundation.
A garment of quiet authority, designed to integrate seamlessly into different wardrobes while establishing the structural language of Cayetana d’Mar.
Spring Summer 2026
This moodboard does not function as a collage of references, but as a material and conceptual system.
Each element is placed in relation to the others, constructing a language rather than illustrating an idea.
At its core, it explores the tension between structure and lightness, between permanence and ephemerality.
The Left Side — Material Intelligence
The left section is dedicated to material exploration and construction logic. Buttons, nacar surfaces, and textile samples are not decorative elements; they are treated as points of light. They reflect, absorb, and interrupt the surface.
The repetition of circular forms introduces: Rhythm AND Modularity
A controlled system of variation.
These elements begin to define what I understand as a “system of light”:l ight is not added , it is embedded into the garment through structure and material.
The Center — The Knot as Structure
At the center, the cords function as a reinterpretation of the quipu.
Here, the knot is not symbolic ornament, it becomes:
A system of connection, a way of understanding garments as relational objects
A structure that links pieces, time, and meaning
This reflects the core philosophy of d’Mar:the wardrobe is not a collection of isolated garments, but a network of relationships.
The Right Side — Atmosphere & Sensibility
The right side introduces the emotional and visual register.
Soft landscapes, blurred light, textures, and subtle movement build a world that is: quiet, introspective and slightly surreal
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This contrasts with the left side’s structure, creating a balance between: precision and softness.
A wardrobe built through structure, connected through relation, and softened by light.
